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From the ebook Sylvie and Bruno
The sequel to Alice in Wonderland
By Lewis Carrol
I said something, in the act of waking, I felt sure: the hoarse stifled cry was still ringing in my ears, even if the startled look of my fellow-traveler had not been evidence enough: but what could I possibly say by way of apology?
“I hope I didn’t frighten you?” I stammered out at last. “I have no idea what I said. I was dreaming.”
“You said ‘Uggug indeed!’” the young lady replied, with quivering lips that would curve themselves into a smile, in spite of all her efforts to look grave. “At least—you didn’t say it—you shouted it!”
“I’m very sorry,” was all I could say, feeling very penitent and helpless. “She has Sylvie’s eyes!” I thought to myself, half-doubting whether, even now, I were fairly awake. “And that sweet look of innocent wonder is all Sylvie’s, too. But Sylvie hasn’t got that calm resolute mouth—nor that far-away look of dreamy sadness, like one that has had some deep sorrow, very long ago——” And the thick-coming fancies almost prevented my hearing the lady’s next words.
“If you had had a ‘Shilling Dreadful’ in your hand,” she proceeded, “something about Ghosts—or Dynamite—or Midnight Murder—one could understand it: those things aren’t worth the shilling, unless they give one a Nightmare. But really—with only a medical treatise, you know——” and she glanced, with a pretty shrug of contempt, at the book over which I had fallen asleep.
Her friendliness, and utter unreserve, took me aback for a moment; yet there was no touch of forwardness, or boldness, about the child—for child, almost, she seemed to be: I guessed her at scarcely over twenty—all was the innocent frankness of some angelic visitant, new to the ways of earth and the conventionalisms—or, if you will, the barbarisms—of Society. “Even so,” I mused, “will Sylvie look and speak, in another ten years.”
“You don’t care for Ghosts, then,” I ventured to suggest, “unless they are really terrifying?”
“Quite so,” the lady assented. “The regular Railway-Ghosts—I mean the Ghosts of ordinary Railway-literature—are very poor affairs. I feel inclined to say, with Alexander Selkirk, ‘Their tameness is shocking to me’! And they never do any Midnight Murders. They couldn’t ‘welter in gore,’ to save their lives!”
“‘Weltering in gore’ is a very expressive phrase, certainly. Can it be done in any fluid, I wonder?”
“I think not,” the lady readily replied—quite as if she had thought it out, long ago. “It has to be something thick. For instance, you might welter in bread-sauce. That, being white, would be more suitable for a Ghost, supposing it wished to welter!”
“You have a real good terrifying Ghost in that book?” I hinted.
“How could you guess?” she exclaimed with the most engaging frankness, and placed the volume in my hands. I opened it eagerly, with a not unpleasant thrill (like what a good ghost-story gives one) at the ‘uncanny’ coincidence of my having so unexpectedly divined the subject of her studies.
It was a book of Domestic Cookery, open at the article ‘Bread Sauce.’
I returned the book, looking, I suppose, a little blank, as the lady laughed merrily at my discomfiture. “It’s far more exciting than some of the modern ghosts, I assure you! Now there was a Ghost last month—I don’t mean a real Ghost in—in Supernature—but in a Magazine. It was a perfectly flavourless Ghost. It wouldn’t have frightened a mouse! It wasn’t a Ghost that one would even offer a chair to!”
“Three score years and ten, baldness, and spectacles, have their advantages after all!” I said to myself. “Instead of a bashful youth and maiden, gasping out monosyllables at awful intervals, here we have an old man and a child, quite at their ease, talking as if they had known each other for years! Then you think,” I continued aloud, “that we ought sometimes to ask a Ghost to sit down? But have we any authority for it? In Shakespeare, for instance—there are plenty of ghosts there—does Shakespeare ever give the stage-direction ‘hands chair to Ghost’?”
The lady looked puzzled and thoughtful for a moment: then she almost clapped her hands. “Yes, yes, he does!” she cried. “He makes Hamlet say ‘Rest, rest, perturbed Spirit!’”
“And that, I suppose, means an easy-chair?”
“An American rocking-chair, I think——”
“Fayfield Junction, my Lady, change for Elveston!” the guard announced, flinging open the door of the carriage: and we soon found ourselves, with all our portable property around us, on the platform.
The accommodation, provided for passengers waiting at this Junction, was distinctly inadequate—a single wooden bench, apparently intended for three sitters only: and even this was already partially occupied by a very old man, in a smock frock, who sat, with rounded shoulders and drooping head, and with hands clasped on the top of his stick so as to make a sort of pillow for that wrinkled face with its look of patient weariness.
“Come, you be off!” the Station-master roughly accosted the poor old man. “You be off, and make way for your betters! This way, my Lady!” he added in a perfectly different tone. “If your Ladyship will take a seat, the train will be up in a few minutes.” The cringing servility of his manner was due, no doubt, to the address legible on the pile of luggage, which announced their owner to be “Lady Muriel Orme, passenger to Elveston, viâ Fayfield Junction.”
As I watched the old man slowly rise to his feet, and hobble a few paces down the platform, the lines came to my lips:—
“From sackcloth couch the Monk arose,
With toil his stiffen’d limbs he rear’d;
A hundred years had flung their snows
On his thin locks and floating beard.”
But the lady scarcely noticed the little incident. After one glance at the ‘banished man,’ who stood tremulously leaning on his stick, she turned to me. “This is not an American rocking-chair, by any means! Yet may I say,” slightly changing her place, so as to make room for me beside her, “may I say, in Hamlet’s words, ‘Rest, rest——’” she broke off with a silvery laugh.
‘COME, YOU BE OFF!’
“‘—perturbed Spirit!’” I finished the sentence for her. “Yes, that describes a railway-traveler exactly! And here is an instance of it,” I added, as the tiny local train drew up alongside the platform, and the porters bustled about, opening carriage-doors—one of them helping the poor old man to hoist himself into a third-class carriage, while another of them obsequiously conducted the lady and myself into a first-class.
She paused, before following him, to watch the progress of the other passenger. “Poor old man!” she said. “How weak and ill he looks! It was a shame to let him be turned away like that. I’m very sorry——” At this moment it dawned on me that these words were not addressed to me, but that she was unconsciously thinking aloud. I moved away a few steps, and waited to follow her into the carriage, where I resumed the conversation.
“Shakespeare must have traveled by rail, if only in a dream: ‘perturbed Spirit’ is such a happy phrase.”
“‘Perturbed’ referring, no doubt,” she rejoined, “to the sensational booklets peculiar to the Rail. If Steam has done nothing else, it has at least added a whole new Species to English Literature!”
“No doubt of it,” I echoed. “The true origin of all our medical books—and all our cookery-books——”
“No, no!” she broke in merrily. “I didn’t mean our Literature! We are quite abnormal. But the booklets—the little thrilling romances, where the Murder comes at page fifteen, and the Wedding at page forty—surely they are due to Steam?”
“And when we travel by Electricity—if I may venture to develop your theory—we shall have leaflets instead of booklets, and the Murder and the Wedding will come on the same page.”
“A development worthy of Darwin!” the lady exclaimed enthusiastically. “Only you reverse his theory. Instead of developing a mouse into an elephant, you would develop an elephant into a mouse!” But here we plunged into a tunnel, and I leaned back and closed my eyes for a moment, trying to recall a few of the incidents of my recent dream.
“I thought I saw——” I murmured sleepily: and then the phrase insisted on conjugating itself, and ran into “you thought you saw—he thought he saw——” and then it suddenly went off into a song:—
“He thought he saw an Elephant,
That practised on a fife:
He looked again, and found it was
A letter from his wife.
‘At length I realise,’ he said,
‘The bitterness of Life!’”
And what a wild being it was who sang these wild words! A Gardener he seemed to be—yet surely a mad one, by the way he brandished his rake—madder, by the way he broke, ever and anon, into a frantic jig—maddest of all, by the shriek in which he brought out the last words of the stanza!
It was so far a description of himself that he had the feet of an Elephant: but the rest of him was skin and bone: and the wisps of loose straw, that bristled all about him, suggested that he had been originally stuffed with it, and that nearly all the stuffing had come out.
Sylvie and Bruno waited patiently till the end of the first verse. Then Sylvie advanced alone (Bruno having suddenly turned shy) and timidly introduced herself with the words “Please, I’m Sylvie!”
“And who’s that other thing?” said the Gardener.
“What thing?” said Sylvie, looking round. “Oh, that’s Bruno. He’s my brother.”
“Was he your brother yesterday?” the Gardener anxiously enquired.
“Course I were!” cried Bruno, who had gradually crept nearer, and didn’t at all like being talked about without having his share in the conversation.
THE GARDENER
“Ah, well!” the Gardener said with a kind of groan. “Things change so, here. Whenever I look again, it’s sure to be something different! Yet I does my duty! I gets up wriggle-early at five——”
“If I was oo,” said Bruno, “I wouldn’t wriggle so early. It’s as bad as being a worm!” he added, in an undertone to Sylvie.
“But you shouldn’t be lazy in the morning, Bruno,” said Sylvie. “Remember, it’s the early bird that picks up the worm!”
“It may, if it likes!” Bruno said with a slight yawn. “I don’t like eating worms, one bit. I always stop in bed till the early bird has picked them up!”
“I wonder you’ve the face to tell me such fibs!” cried the Gardener.
To which Bruno wisely replied “Oo don’t want a face to tell fibs wiz—only a mouf.”
Sylvie discreetly changed the subject. “And did you plant all these flowers?” she said. “What a lovely garden you’ve made! Do you know, I’d like to live here always!”
“In the winter-nights——” the Gardener was beginning.
“But I’d nearly forgotten what we came about!” Sylvie interrupted. “Would you please let us through into the road? There’s a poor old beggar just gone out—and he’s very hungry—and Bruno wants to give him his cake, you know!”
“It’s as much as my place is worth!” the Gardener muttered, taking a key from his pocket, and beginning to unlock a door in the garden-wall.
“How much are it wurf?” Bruno innocently enquired.
But the Gardener only grinned. “That’s a secret!” he said. “Mind you come back quick!” he called after the children, as they passed out into the road. I had just time to follow them, before he shut the door again.
We hurried down the road, and very soon caught sight of the old Beggar, about a quarter of a mile ahead of us, and the children at once set off running to overtake him. Lightly and swiftly they skimmed over the ground, and I could not in the least understand how it was I kept up with them so easily. But the unsolved problem did not worry me so much as at another time it might have done, there were so many other things to attend to.
The old Beggar must have been very deaf, as he paid no attention whatever to Bruno’s eager shouting, but trudged wearily on, never pausing until the child got in front of him and held up the slice of cake. The poor little fellow was quite out of breath, and could only utter the one word “Cake!”—not with the gloomy decision with which Her Excellency had so lately pronounced it, but with a sweet childish timidity, looking up into the old man’s face with eyes that loved ‘all things both great and small.’
The old man snatched it from him, and devoured it greedily, as some hungry wild beast might have done, but never a word of thanks did he give his little benefactor—only growled “More, more!” and glared at the half-frightened children.
“There is no more!” Sylvie said with tears in her eyes. “I’d eaten mine. It was a shame to let you be turned away like that. I’m very sorry——”
I lost the rest of the sentence, for my mind had recurred, with a great shock of surprise, to Lady Muriel Orme, who had so lately uttered these very words of Sylvie’s—yes, and in Sylvie’s own voice, and with Sylvie’s gentle pleading eyes!
“Follow me!” were the next words I heard, as the old man waved his hand, with a dignified grace that ill suited his ragged dress, over a bush, that stood by the road side, which began instantly to sink into the earth. At another time I might have doubted the evidence of my eyes, or at least have felt some astonishment: but, in this strange scene, my whole being seemed absorbed in strong curiosity as to what would happen next.
When the bush had sunk quite out of our sight, marble steps were seen, leading downwards into darkness. The old man led the way, and we eagerly followed.
The staircase was so dark, at first, that I could only just see the forms of the children, as, hand-in-hand, they groped their way down after their guide: but it got lighter every moment, with a strange silvery brightness, that seemed to exist in the air, as there were no lamps visible; and, when at last we reached a level floor, the room, in which we found ourselves, was almost as light as day.
It was eight-sided, having in each angle a slender pillar, round which silken draperies were twined. The wall between the pillars was entirely covered, to the height of six or seven feet, with creepers, from which hung quantities of ripe fruit and of brilliant flowers, that almost hid the leaves.
In another place, perchance, I might have wondered to see fruit and flowers growing together: here, my chief wonder was that neither fruit nor flowers were such as I had ever seen before. Higher up, each wall contained a circular window of coloured glass; and over all was an arched roof, that seemed to be spangled all over with jewels.
A BEGGAR’S PALACE
With hardly less wonder, I turned this way and that, trying to make out how in the world we had come in: for there was no door: and all the walls were thickly covered with the lovely creepers.
“We are safe here, my darlings!” said the old man, laying a hand on Sylvie’s shoulder, and bending down to kiss her. Sylvie drew back hastily, with an offended air: but in another moment, with a glad cry of “Why, it’s Father!”, she had run into his arms.
“Father! Father!” Bruno repeated: and, while the happy children were being hugged and kissed, I could but rub my eyes and say “Where, then, are the rags gone to?”; for the old man was now dressed in royal robes that glittered with jewels and gold embroidery, and wore a circlet of gold around his head.
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A Free Story from the ebook Sylvie and Bruno
The sequel to Alice in Wonderland
By Lewis Carrol – with just as much silliness and fantasy as Alice in Wonderland
ISBN: 9788834181546
URL/Download Link: https://bit.ly/2XCSsZo
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TAGS: #SylvieandBruno, #LewisCarroll, #folklore, #fairytales, #mythsandlegends, #childrensstories, #bedtime, #stories, #parentswithchildren, #fables, #storyteller, #aliceinwonderland, #sequel, #babies, #mothers, #fathers, #grandparents, #fables, #moraltale, #Bruno, #LadySylvie, #Alexander, #American, #angelic, #bald, #Beggar, #bitterness, #bold, #bones, #carriage, #children, #circlet, #Cooking, #drapes, #easy-chair, #Elephant, #Elveston, #Fayfield, #flowers, #garden, #Gardener, #garden-wall, #Ghost, #gold, #golden, #innocence, #innocent, #Junction, #lady, #Literature, #merrily, #mice, #Midnight, #mouse, #Muriel, #old man, #Orme, #Palace, #rocking-chair, #royal, #run, #running, #sackcloth, #sadness, #Selkirk, #Shakespeare, #Spirit, #steam train, #Sylvie and Bruno, #wriggle, #wrinkled, #young, #youth,
One nice, warm sunny day, when it was too hot to stay inside the den among the rocks, the nice bears were all out in front, lying in the shade of the woods.
“Oh, my! How hot it is!” cried Dido, and he opened his mouth wide, and let his red tongue hang out, for animals, such as dogs and bears, cool themselves off that way. You must have seen your dog, when he had run fast, after a cat, perhaps, open his mouth and breathe fast, with his tongue hanging out.
“Let’s go swimming in the lake again!” cried Dido to his brothers.
“All right,” agreed Gruffo.
“We’ll all go,” said Mr. Bear. “Come along.”
So off through the woods walked the family of bears toward the cool, blue lake, high up in the mountains. Dido could hardly wait to get there, and as soon as he saw, through the trees, the sparkle of the water he began to run. He ran so fast that he stumbled over a stone, and fell down.
“Oh, Dido!” called his mother. “You must be more careful. You must not go so fast. Something will happen to you some day if you do not look where you are going.”
“I didn’t hurt myself that time, anyhow,” answered Dido, as he got up, and jumped into the lake. There he swam about, as did the father and mother bear, and the other two cubs. Dido splashed his brothers every time he came near them, but they did not mind, for he was such a cute little fellow and he meant no harm. Besides, it was so warm that the more water they had on them the better Gruffo and Muffo liked it.
“It makes me hungry to go in swimming,” said Mrs. Bear. “I am going off in the woods to look for some berries.”
“I’m coming, too,” said Dido. “For I am hungry myself.”
Soon Mrs. Bear found a bush on which were growing some big red berries. These she pulled off with her forepaws, which were, to her, almost like our hands are to us, and the mother bear filled her mouth with the fruit. Dido did the same, and soon he was not as hungry as he had been. Then along came Mr. Bear, with Gruffo and Muffo, and they, too, ate the red berries off the bushes.
All at once Mr. Bear stopped eating, and, lifting his nose up in the air, sniffed very hard two or three times.
“What is the matter?” asked Mrs. Bear quickly.
“I think I smell a man,” answered the papa bear. “See if you can smell anything.”
Mrs. Bear lifted her nose up in the air and she, also, sniffed. Bears, you know, as do most wild animals, use their noses as much as they do their eyes to tell when there is danger. And to wild animals a man, nearly always, means danger. If you were out in the woods, and could not see any one, you could not tell, just by smelling the air, whether some person was near you or not—that is, unless they had a lot of perfume on them, and then, if the wind was blowing toward you, why you might smell that.
But bears have much better noses for smelling than have we, and they can smell a man in the woods even if he has no cologne on him.
“Sniff! Sniff!” went Mr. Bear.
“Sniff! Sniff!” went Mrs. Bear.
“Yes, I can surely smell a man,” the papa bear said in a low voice. “It is the first time I have known them to come around here.”
“And so can I smell a man,” added Mrs. Bear. “We had better get away from here.”
Then the bears ran off through the woods to their den. For though big bears are very strong and can fight well, they would much rather run away from a man than fight him, unless they find they cannot get away. For when a man goes into the woods where there are bears he nearly always has a gun with him, and while bears know they are stronger than a man they also know that a gun is stronger than a dozen bears.
When Dido, with his brothers and father and mother, got back to the den in the rocks, the little bear cub saw that his father was worried about something. Mr. Bear walked up and down in front of the pile of rocks, sniffing the air, and looking on all sides.
“What is the matter, Papa?” asked Dido, in bear talk, of course.
“It’s that man I smelled in the woods,” said Mr. Bear. “I fear he may find our den.”
“Well, what if he does?” asked Dido.
“Then it would not be safe for us to stay here,” answered Mrs. Bear. “If men are coming into our woods it is time for us to go away.”
“What! go away from our nice den?” asked Gruffo. For though the den was only a hole in the rocks, with a pile of leaves in one corner for a bed, still, to the bears, it was as much a home as your house is to you.
“Yes, it would not be safe to stay while men are around,” said Mr. Bear. “That is the first time I have ever smelled them in our woods. Though a friend of mine, Mr. Lion, who lives farther down the mountain, said he has often seen men near his cave. Once some men on elephants chased him, but he got away.”
“Have you ever seen a man?” asked Dido of his father.
“Oh, yes, often, but always afar off. And the men did not see me.”
“What does a man look like?” asked Dido, for he had never seen any, though he had heard of them.
“A man is a queer creature,” said Mr. Bear. “He walks up on his hind feet, as we do sometimes, but when he walks on his four feet he can only go slowly, like a baby. Even you could run away from a man on his four feet, Dido.”
“How queer!” said the little bear.
“But don’t try it,” said Mrs. Bear quickly. “Keep away from men, Dido, for they might shoot you with one of their guns.”
“What else is a man like?” the little bear asked.
“Well, he has a skin that he can take off and put on again,” said Mr. Bear.
“Oh, how very funny!” cried Dido. “Take off his skin? I should think it would hurt!”
“It doesn’t seem to,” said the papa bear. “I don’t understand how they do it, but they do.”
Of course what Mr. Bear thought was skin was a man’s clothes, which he takes off and puts on again. But though bears are very wise and smart in their own way, they don’t know much about men, except to be afraid of them.
“I do not like it that men are coming up in our woods,” said Mr. Bear. “It means danger. So be careful, Dido, and you, too, Gruffo and Muffo, that you do not go too far away. Perhaps the man has come up here to set a trap to catch us.”
“What is a trap?” asked Dido.
“It is something dangerous, to catch bears,” his mother told him. “Some traps are made of iron, and they have sharp teeth in them that catch bears by the leg and hurt very much. Other traps are like a big box, made of logs. If you go in one of these box traps the door will shut and you can not get out.”
“What happens then?” asked Dido.
“Then the man comes and gets you.”
“And what does he do with you?” the little bear cub wanted to know.
“That I cannot say,” answered Mrs. Bear. “Perhaps your father knows.”
Mr. Bear shook his head.
“All I know,” he answered, “is that the man takes you away if he finds you in his trap. But where he takes you I do not know, for I was never caught, and I hope I never will be.”
“I hope so, too,” said Dido, and he sniffed the air to see if he could smell the man, but he could not.
For a number of days after that the bears did not go far from their den in the rocks. They were afraid the man might shoot them.
But, after a while, all the berries and sweet roots close by had been eaten, and the bears had to go farther off. Besides, they wanted some fish, and they must go to the lake or river to catch them. So after Mr. Bear had carefully sniffed the air, and had not smelled the man-smell, the bears started off through the woods again to get something to eat.
Dido ran here and there, sometimes on ahead and again he would stay behind, slipping up back of his brothers to tickle them. Oh, but Dido was a jolly little bear, always looking for fun.
The bears found some more red berries, and a few blue ones, and some sweet roots, and they also caught some fish, which made a good dinner for them. Then they went swimming in the lake again before going back to their den.
In the afternoon, when Gruffo was asleep in the shade, Dido went softly up to him, and poured a paw full of water in his brother’s ear.
“Wuff! Ouch! What’s that? Is it raining?” cried Gruffo, suddenly waking up. Then he saw that Dido had played the trick on him, and he ran after the little bear. But Dido climbed up a tree to get away, and he did it in such a funny way, his little short tail going around like a Fourth of July pinwheel, that Gruffo had to sit down and laugh.
“Oh, you are such a funny cut-up bear!” he said, laughing harder than ever, and when a bear laughs he can’t very well climb a tree.
“Come on down, I won’t do anything to you,” said Gruffo, after a while, so Dido came down. Then he turned somersaults on a pile of soft leaves. Next he stood on his hind legs, and began striking at a swinging branch of a tree with his front paws, as you have seen a kitten play with a cord of a window curtain.
But Dido climbed up a tree to get away.
“Dido is getting to be a real cute little cub,” said Mrs. Bear.
Then, all of a sudden, Dido struck at the tree branch, but he did not hit it and he fell over backward.
“Look out!” cried Mr. Bear. “You’ll hurt yourself, Dido.”
“I didn’t hurt myself that time,” said the little bear, “for I fell on some soft, green moss.”
“Well, there will not always be moss for you to fall on,” his mother said. “So look out.”
One day, when Mr. Bear came back from a long trip in the woods, he brought some wild honey in his paws. And oh! how good it tasted to Dido and Gruffo and Muffo!
“Show me where the bee-tree is, Papa,” begged Dido. “I want to get some more honey.”
“It is too far away,” answered the papa bear. “Besides, I saw a man in the woods as I was getting the honey out of a hollow tree. It would not be safe for you to go near it when men are around.”
But the honey tasted so good to Dido that the little bear cub made up his mind that he simply must have more.
“I know what I’ll do,” he said to himself. “When none of the others are watching me I am going off by myself in the woods and look for a bee-tree to get some honey. I don’t believe there’s any danger.”
So about a week after this, one day, Dido saw his two brothers asleep outside the den. Mr. Bear had gone off to the lake, perhaps to catch some fish, and Mrs. Bear was in the den, stirring up the leaves that made the bed, so it would be softer to lie on.
“Now’s my chance,” thought Dido, in the way bears have of thinking. “I’ll just slip off in the woods by myself, and find a honey-tree. I’ll bring some honey home, too,” said Dido, for he was not a selfish little bear.
Walking softly, so as not to awaken his brothers, and so his mother, making the leaf-bed in the den, would not know what he was doing, away slipped Dido to the woods.
He shuffled along, now and then finding some red berries to eat, or a bit of sweet root, and every little while he would lift his nose up in the air, as he had seen his father do, and sniff to see if he could smell a man-smell.
“But I don’t smell any,” said Dido. “I guess it’s all right.”
Then, all at once, he felt a little wind blowing toward him, and on the breeze came the nicest smell.
“Oh, it’s honey!” cried Dido. “It’s honey! I have found the honey-tree! Oh, how glad I am!”
He hurried on through the woods, coming nearer and nearer to the honey smell all the while, until, after a bit, he saw in among the trees something square, like a box, made of little logs piled together. And inside the thing like a box was a pile of honey. Dido could see it and smell it. But he did not rush up in a great hurry.
“That doesn’t look like the honey-tree father told about,” the little bear cub thought. “He said he had to climb a tree. This honey is low down. Still it is honey, so this must be a honey-tree, and if it is low down so much the better for me. I will not have to climb.”
Dido sniffed the air again. He wanted to see if there was a man-smell about. But all he could smell was the honey.
“Oh, I guess it’s all right,” said the bear cub. “I’m so hungry for that honey I can’t wait! Here I go!”
Dido fairly ran into the box and began to eat the honey on the floor of it. But, no sooner had he taken a bite, than suddenly a queer thing happened.
Bang! went something behind Dido, and when he looked around he saw that the box was shut tight. A sliding door had fallen down and poor Dido was a prisoner……
From: “Dido the Dancing Bear”
ISBN: 9788835390220
DOWNLOAD LINK: https://bit.ly/2xmFe8a
In Issue 22 of the Baba Indaba Children’s Stories, Baba Indaba narrates the Eastern Jataka (Buddhist) tale of how an elephant, named Girlie Face, overhears the conversation of two men who only have bad intentions in mind. Thinking this is how he is supposed to act he shocks his keepers until a wise man works out what the problem is. Look out for the moral of the tale.
INCLUDES LINKS TO DOWNLOAD 8 FREE STORIES
Each issue also has a “WHERE IN THE WORLD – LOOK IT UP” section, where young readers are challenged to look up a place on a map somewhere in the world. The place, town or city is relevant to the story.
HINT – use Google maps.
Baba Indaba is a fictitious Zulu storyteller who narrates children’s stories from around the world. Baba Indaba translates as “Father of Stories”.
ISSN: 2397-9607 Issue 22 (Digital)
Today we remain in West Africa and take a tale from the Yoruba people. It is entitled:
AKITI THE HUNTER – A Yoruba tale from West Africa
A FAMOUS hunter and wrestler named Akiti boasted that he was stronger than any other man or animal. He had easily overcome a giant, a leopard, a lion, a wolf, and a boa-constrictor, and as nobody else opposed his claim, he called himself “the King of the forest.”
Wherever he went, he sang his triumphant wrestling-song, and everyone feared and respected him. But he had forgotten the Elephant, who is a very wise animal and knows many charms. One day the Elephant challenged him and declared that he had no right to call himself “King,” as the Elephant himself was the monarch of the forest and could not be defeated.
Akiti thereupon flung his spear at his enemy, but because of the Elephant’s charm, the weapon glanced off his hide and did him no harm. Akiti next tried his bow and poisoned arrows, and his hunting-knife, but still without effect.
However, the hunter also possessed a charm, and by using it, he changed himself into a lion and flew at the Elephant, but the Elephant flung him off. Next he became a serpent, but he could not succeed in crushing the Elephant to death.
At last he changed himself into a fly, and flew into the Elephant’s large flapping ear. He went right down inside until he came to the heart, and then he changed himself into a man again and cut up the heart with his hunting-knife. At last the Elephant fell dead, and Akiti stepped out of his body in triumph, for he was now without question “the King of the forest.”
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From Yoruba Legends
ISBN – 978-1-907256-33-2
URL: http://www.abelapublishing.com/cg_yor.html
NOTE: The Yoruba people are descendants from a variety of West African communities. They are united by Geography, History, Religion and most importantly their Language. Many years ago, before African slavery, the Yoruba people inhabited an area which stretched, along the coast of West Africa, all the way inward and down to Angola in South West Africa.
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