A BEGGAR’S PALACE – A Free Story

From the ebook Sylvie and Bruno
The sequel to Alice in Wonderland
By Lewis Carrol

I said something, in the act of waking, I felt sure: the hoarse stifled cry was still ringing in my ears, even if the startled look of my fellow-traveler had not been evidence enough: but what could I possibly say by way of apology?

“I hope I didn’t frighten you?” I stammered out at last. “I have no idea what I said. I was dreaming.”

“You said ‘Uggug indeed!’” the young lady replied, with quivering lips that would curve themselves into a smile, in spite of all her efforts to look grave. “At least—you didn’t say it—you shouted it!”

“I’m very sorry,” was all I could say, feeling very penitent and helpless. “She has Sylvie’s eyes!” I thought to myself, half-doubting whether, even now, I were fairly awake. “And that sweet look of innocent wonder is all Sylvie’s, too. But Sylvie hasn’t got that calm resolute mouth—nor that far-away look of dreamy sadness, like one that has had some deep sorrow, very long ago——” And the thick-coming fancies almost prevented my hearing the lady’s next words.

“If you had had a ‘Shilling Dreadful’ in your hand,” she proceeded, “something about Ghosts—or Dynamite—or Midnight Murder—one could understand it: those things aren’t worth the shilling, unless they give one a Nightmare. But really—with only a medical treatise, you know——” and she glanced, with a pretty shrug of contempt, at the book over which I had fallen asleep.

Her friendliness, and utter unreserve, took me aback for a moment; yet there was no touch of forwardness, or boldness, about the child—for child, almost, she seemed to be: I guessed her at scarcely over twenty—all was the innocent frankness of some angelic visitant, new to the ways of earth and the conventionalisms—or, if you will, the barbarisms—of Society. “Even so,” I mused, “will Sylvie look and speak, in another ten years.”

“You don’t care for Ghosts, then,” I ventured to suggest, “unless they are really terrifying?”

“Quite so,” the lady assented. “The regular Railway-Ghosts—I mean the Ghosts of ordinary Railway-literature—are very poor affairs. I feel inclined to say, with Alexander Selkirk, ‘Their tameness is shocking to me’! And they never do any Midnight Murders. They couldn’t ‘welter in gore,’ to save their lives!”

“‘Weltering in gore’ is a very expressive phrase, certainly. Can it be done in any fluid, I wonder?”

“I think not,” the lady readily replied—quite as if she had thought it out, long ago. “It has to be something thick. For instance, you might welter in bread-sauce. That, being white, would be more suitable for a Ghost, supposing it wished to welter!”

“You have a real good terrifying Ghost in that book?” I hinted.

“How could you guess?” she exclaimed with the most engaging frankness, and placed the volume in my hands. I opened it eagerly, with a not unpleasant thrill (like what a good ghost-story gives one) at the ‘uncanny’ coincidence of my having so unexpectedly divined the subject of her studies.

It was a book of Domestic Cookery, open at the article ‘Bread Sauce.’

I returned the book, looking, I suppose, a little blank, as the lady laughed merrily at my discomfiture. “It’s far more exciting than some of the modern ghosts, I assure you! Now there was a Ghost last month—I don’t mean a real Ghost in—in Supernature—but in a Magazine. It was a perfectly flavourless Ghost. It wouldn’t have frightened a mouse! It wasn’t a Ghost that one would even offer a chair to!”

“Three score years and ten, baldness, and spectacles, have their advantages after all!” I said to myself. “Instead of a bashful youth and maiden, gasping out monosyllables at awful intervals, here we have an old man and a child, quite at their ease, talking as if they had known each other for years! Then you think,” I continued aloud, “that we ought sometimes to ask a Ghost to sit down? But have we any authority for it? In Shakespeare, for instance—there are plenty of ghosts there—does Shakespeare ever give the stage-direction ‘hands chair to Ghost’?”

The lady looked puzzled and thoughtful for a moment: then she almost clapped her hands. “Yes, yes, he does!” she cried. “He makes Hamlet say ‘Rest, rest, perturbed Spirit!’”

“And that, I suppose, means an easy-chair?”

“An American rocking-chair, I think——”

“Fayfield Junction, my Lady, change for Elveston!” the guard announced, flinging open the door of the carriage: and we soon found ourselves, with all our portable property around us, on the platform.

The accommodation, provided for passengers waiting at this Junction, was distinctly inadequate—a single wooden bench, apparently intended for three sitters only: and even this was already partially occupied by a very old man, in a smock frock, who sat, with rounded shoulders and drooping head, and with hands clasped on the top of his stick so as to make a sort of pillow for that wrinkled face with its look of patient weariness.

“Come, you be off!” the Station-master roughly accosted the poor old man. “You be off, and make way for your betters! This way, my Lady!” he added in a perfectly different tone. “If your Ladyship will take a seat, the train will be up in a few minutes.” The cringing servility of his manner was due, no doubt, to the address legible on the pile of luggage, which announced their owner to be “Lady Muriel Orme, passenger to Elveston, viâ Fayfield Junction.”

As I watched the old man slowly rise to his feet, and hobble a few paces down the platform, the lines came to my lips:—

“From sackcloth couch the Monk arose,
With toil his stiffen’d limbs he rear’d;
A hundred years had flung their snows
On his thin locks and floating beard.”

But the lady scarcely noticed the little incident. After one glance at the ‘banished man,’ who stood tremulously leaning on his stick, she turned to me. “This is not an American rocking-chair, by any means! Yet may I say,” slightly changing her place, so as to make room for me beside her, “may I say, in Hamlet’s words, ‘Rest, rest——’” she broke off with a silvery laugh.

‘COME, YOU BE OFF!’

“‘—perturbed Spirit!’” I finished the sentence for her. “Yes, that describes a railway-traveler exactly! And here is an instance of it,” I added, as the tiny local train drew up alongside the platform, and the porters bustled about, opening carriage-doors—one of them helping the poor old man to hoist himself into a third-class carriage, while another of them obsequiously conducted the lady and myself into a first-class.

She paused, before following him, to watch the progress of the other passenger. “Poor old man!” she said. “How weak and ill he looks! It was a shame to let him be turned away like that. I’m very sorry——” At this moment it dawned on me that these words were not addressed to me, but that she was unconsciously thinking aloud. I moved away a few steps, and waited to follow her into the carriage, where I resumed the conversation.

“Shakespeare must have traveled by rail, if only in a dream: ‘perturbed Spirit’ is such a happy phrase.”

“‘Perturbed’ referring, no doubt,” she rejoined, “to the sensational booklets peculiar to the Rail. If Steam has done nothing else, it has at least added a whole new Species to English Literature!”

“No doubt of it,” I echoed. “The true origin of all our medical books—and all our cookery-books——”

“No, no!” she broke in merrily. “I didn’t mean our Literature! We are quite abnormal. But the booklets—the little thrilling romances, where the Murder comes at page fifteen, and the Wedding at page forty—surely they are due to Steam?”

“And when we travel by Electricity—if I may venture to develop your theory—we shall have leaflets instead of booklets, and the Murder and the Wedding will come on the same page.”

“A development worthy of Darwin!” the lady exclaimed enthusiastically. “Only you reverse his theory. Instead of developing a mouse into an elephant, you would develop an elephant into a mouse!” But here we plunged into a tunnel, and I leaned back and closed my eyes for a moment, trying to recall a few of the incidents of my recent dream.

“I thought I saw——” I murmured sleepily: and then the phrase insisted on conjugating itself, and ran into “you thought you saw—he thought he saw——” and then it suddenly went off into a song:—

“He thought he saw an Elephant,
That practised on a fife:
He looked again, and found it was
A letter from his wife.
‘At length I realise,’ he said,
‘The bitterness of Life!’”

And what a wild being it was who sang these wild words! A Gardener he seemed to be—yet surely a mad one, by the way he brandished his rake—madder, by the way he broke, ever and anon, into a frantic jig—maddest of all, by the shriek in which he brought out the last words of the stanza!

It was so far a description of himself that he had the feet of an Elephant: but the rest of him was skin and bone: and the wisps of loose straw, that bristled all about him, suggested that he had been originally stuffed with it, and that nearly all the stuffing had come out.

Sylvie and Bruno waited patiently till the end of the first verse. Then Sylvie advanced alone (Bruno having suddenly turned shy) and timidly introduced herself with the words “Please, I’m Sylvie!”

“And who’s that other thing?” said the Gardener.

“What thing?” said Sylvie, looking round. “Oh, that’s Bruno. He’s my brother.”

“Was he your brother yesterday?” the Gardener anxiously enquired.

“Course I were!” cried Bruno, who had gradually crept nearer, and didn’t at all like being talked about without having his share in the conversation.

THE GARDENER

“Ah, well!” the Gardener said with a kind of groan. “Things change so, here. Whenever I look again, it’s sure to be something different! Yet I does my duty! I gets up wriggle-early at five——”

“If I was oo,” said Bruno, “I wouldn’t wriggle so early. It’s as bad as being a worm!” he added, in an undertone to Sylvie.

“But you shouldn’t be lazy in the morning, Bruno,” said Sylvie. “Remember, it’s the early bird that picks up the worm!”

“It may, if it likes!” Bruno said with a slight yawn. “I don’t like eating worms, one bit. I always stop in bed till the early bird has picked them up!”

“I wonder you’ve the face to tell me such fibs!” cried the Gardener.

To which Bruno wisely replied “Oo don’t want a face to tell fibs wiz—only a mouf.”

Sylvie discreetly changed the subject. “And did you plant all these flowers?” she said. “What a lovely garden you’ve made! Do you know, I’d like to live here always!”

“In the winter-nights——” the Gardener was beginning.

“But I’d nearly forgotten what we came about!” Sylvie interrupted. “Would you please let us through into the road? There’s a poor old beggar just gone out—and he’s very hungry—and Bruno wants to give him his cake, you know!”

“It’s as much as my place is worth!” the Gardener muttered, taking a key from his pocket, and beginning to unlock a door in the garden-wall.

“How much are it wurf?” Bruno innocently enquired.

But the Gardener only grinned. “That’s a secret!” he said. “Mind you come back quick!” he called after the children, as they passed out into the road. I had just time to follow them, before he shut the door again.

We hurried down the road, and very soon caught sight of the old Beggar, about a quarter of a mile ahead of us, and the children at once set off running to overtake him. Lightly and swiftly they skimmed over the ground, and I could not in the least understand how it was I kept up with them so easily. But the unsolved problem did not worry me so much as at another time it might have done, there were so many other things to attend to.

The old Beggar must have been very deaf, as he paid no attention whatever to Bruno’s eager shouting, but trudged wearily on, never pausing until the child got in front of him and held up the slice of cake. The poor little fellow was quite out of breath, and could only utter the one word “Cake!”—not with the gloomy decision with which Her Excellency had so lately pronounced it, but with a sweet childish timidity, looking up into the old man’s face with eyes that loved ‘all things both great and small.’

The old man snatched it from him, and devoured it greedily, as some hungry wild beast might have done, but never a word of thanks did he give his little benefactor—only growled “More, more!” and glared at the half-frightened children.

“There is no more!” Sylvie said with tears in her eyes. “I’d eaten mine. It was a shame to let you be turned away like that. I’m very sorry——”

I lost the rest of the sentence, for my mind had recurred, with a great shock of surprise, to Lady Muriel Orme, who had so lately uttered these very words of Sylvie’s—yes, and in Sylvie’s own voice, and with Sylvie’s gentle pleading eyes!

“Follow me!” were the next words I heard, as the old man waved his hand, with a dignified grace that ill suited his ragged dress, over a bush, that stood by the road side, which began instantly to sink into the earth. At another time I might have doubted the evidence of my eyes, or at least have felt some astonishment: but, in this strange scene, my whole being seemed absorbed in strong curiosity as to what would happen next.

When the bush had sunk quite out of our sight, marble steps were seen, leading downwards into darkness. The old man led the way, and we eagerly followed.

The staircase was so dark, at first, that I could only just see the forms of the children, as, hand-in-hand, they groped their way down after their guide: but it got lighter every moment, with a strange silvery brightness, that seemed to exist in the air, as there were no lamps visible; and, when at last we reached a level floor, the room, in which we found ourselves, was almost as light as day.

It was eight-sided, having in each angle a slender pillar, round which silken draperies were twined. The wall between the pillars was entirely covered, to the height of six or seven feet, with creepers, from which hung quantities of ripe fruit and of brilliant flowers, that almost hid the leaves.

In another place, perchance, I might have wondered to see fruit and flowers growing together: here, my chief wonder was that neither fruit nor flowers were such as I had ever seen before. Higher up, each wall contained a circular window of coloured glass; and over all was an arched roof, that seemed to be spangled all over with jewels.

A BEGGAR’S PALACE

With hardly less wonder, I turned this way and that, trying to make out how in the world we had come in: for there was no door: and all the walls were thickly covered with the lovely creepers.

“We are safe here, my darlings!” said the old man, laying a hand on Sylvie’s shoulder, and bending down to kiss her. Sylvie drew back hastily, with an offended air: but in another moment, with a glad cry of “Why, it’s Father!”, she had run into his arms.

“Father! Father!” Bruno repeated: and, while the happy children were being hugged and kissed, I could but rub my eyes and say “Where, then, are the rags gone to?”; for the old man was now dressed in royal robes that glittered with jewels and gold embroidery, and wore a circlet of gold around his head.

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A Free Story from the ebook Sylvie and Bruno
The sequel to Alice in Wonderland
By Lewis Carrol – with just as much silliness and fantasy as Alice in Wonderland

ISBN: 9788834181546

URL/Download Link: https://bit.ly/2XCSsZo

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JACK AND THE BEANSTALK – a Free Story

From the ebook “Favorite Fairy Tales”

JACK was an idle, lazy boy who would do no work to support his widowed mother; and at last they both came to such poverty that the poor woman had to sell her cow to buy food to keep them from starving. She sent Jack to market with the cow, telling him to be sure and sell it for a good price.

As Jack was going along the road to market he met a butcher. The butcher offered to buy the cow in exchange for a hatful of colored beans. Jack thought the beans looked very pretty, and he was glad to be saved the long hot walk to market; so he struck the bargain on the spot and went back to his mother with the beans, while the butcher went off with the cow.

But the poor widow was very disappointed. She scolded her son for an idle, lazy, good-for-nothing boy, and flung the beans out of the window in a passion.

Now the beans were magic beans, and the next morning, when Jack awoke, he found some of them had taken root in the night and had grown so tall, that they reached right up into the sky.

Jack was full of wonder and curiosity; and, being fond of adventure and excitement, he set out at once to climb the beanstalk, to see what was up at the top of it.

And he climbed, and he climbed, and he climbed, and he climbed, and he climbed, and he climbed, and he climbed—until at last he climbed right up to the very tiptop of the beanstalk.

Then he found himself standing in a strange country. In the distance he could see a big castle; and, as he was hot and tired with his long climb, he thought he would go and ask for something to eat and drink.

She hid Jack in the Oven

He had not gone very far before he met a fairy, who told him that the castle belonged to a wicked ogre, who had killed and eaten a great number of people.

“It was he who killed your father,” she said. “And it is your duty to do your utmost to destroy the wicked monster. Go now, and see what you can do. If you can carry off any of his treasures you are at liberty to do so—for none of them really belongs to him. He has taken them all by force from the people whom he has robbed and killed.”

Jack was delighted at the idea of this adventure, and set off in high spirits towards the castle.

The castle was farther off than he had thought, and by the time he reached the gates, it was so late that he made up his mind to ask for a night’s lodging. There was a woman standing in the doorway; but when Jack made his request, she was very frightened, and said—

The Ogre counted his money

“Indeed, I dare not take you in and give you food and lodging. My husband is an ogre who lives on human flesh. If he were to find you here, he would think nothing of eating you up in three mouthfuls. I advise you to go away at once, before he comes home.”

But when she saw how tired and hungry Jack really was, she took him into the house and gave him plenty to eat and drink. While Jack was eating his food in the kitchen there came a loud knocking at the door. The ogre’s wife, in a great flurry, hid Jack in the oven, and then hurried to let her husband in. Jack peeped through the oven door, and saw a terrible-looking ogre, who came stamping into the kitchen, and said in a voice like thunder—

“Wife, I smell fresh meat!”

“It is only the people you are fattening in the dungeon,” said the wife.

So the ogre sat down and ate his supper. After supper, he commanded his wife to bring him his money-bags. He then began to count his money—thousands and thousands of pieces of gold and silver.

Jack stole the bags of money and fled

Jack wished he could take some of this money home to his mother; and, presently, when the ogre fell asleep, he crept out of his hiding-place, and hoisting the bags upon his shoulder, slipped quietly away with them. The ogre was snoring so loudly that it sounded like the wind in the chimney on a stormy night. So he never heard the little noise Jack made, and Jack got safely away and escaped down the beanstalk.

His mother was overjoyed to see him, for she had been very anxious about him when he did not come home the night before; and she was delighted with the bags of money, which were enough to keep them in comfort and luxury for some time.

For many months Jack and his mother lived happily together; but after a while the money came to an end, and Jack made up his mind to climb the beanstalk again, and carry off some more of the ogre’s treasures.

 

Down came the beanstalk, down came the giant.

So one morning he got up early, put on a different suit of clothes, so that the ogre’s wife should not recognize him, and set out to climb the beanstalk.

And he climbed, and he climbed, and he climbed, and he climbed, and he climbed, and he climbed, and he climbed—until at last he climbed to the very top and found himself in the ogre’s country again.

When he reached the castle the ogre’s wife was again standing in the doorway. But when Jack asked for a night’s lodging, she said she dared not give him one, for only a few months before she had taken in a poor boy who seemed half dead with fatigue and hunger, and in return for her kindness, he had stolen some of her husband’s money and run away in the night.

But Jack begged so hard that at last she relented. She gave him a good supper and hid him in a closet before her husband came home.

Presently there was a great noise outside and heavy footsteps that shook the castle to its foundations. It was the ogre come home. As soon as he entered the kitchen, he sniffed suspiciously, and said:

“I smell fresh meat!”

“It is only the crows on the housetops,” said his wife. “They have brought home a piece of carrion for their young.”

After supper, the ogre told his wife to fetch his hen. This hen was a very wonderful bird. Whenever the ogre said “Lay” she laid an egg of solid gold. Jack thought that if he could only get this wonderful hen to take home to his mother, they would never want any more. So when the ogre fell asleep—as he did after a little while—he came out of the closet, and, seizing the hen in his arms, made off with her. The hen squawked, but the ogre’s snoring was like the roaring of the sea when the tide is coming in, and Jack got safely down the beanstalk.

The hen laid so many golden eggs that Jack and his mother became quite rich and prosperous; and there was really no need for Jack to go again to the ogre’s country. But he liked the danger and excitement, and he remembered that the fairy had told him to take as many of the ogre’s treasures as he could; and at last, without saying a word to anybody, he started off once more to climb the magic beanstalk.

And he climbed, and he climbed, and he climbed, and he climbed, and he climbed, and he climbed, and he climbed—until at last he reached the very tiptop, and stood in the ogre’s country.

This time when he reached the castle he began to be afraid that the ogre’s wife really would not let him in.

“Indeed and indeed, I dare not,” she said. “Twice lately have I given shelter to a wayfaring youth, and each time he stole some of my husband’s treasures, and made off with them. Now my husband has forbidden me, on pain of instant death, to give food or lodging to any traveler.”

Jack took the Golden Harp which cried out for help wakening the giant.

But Jack pleaded and pleaded, and at last the good-natured woman, moved to pity by his travel-stained appearance, gave way and let him into the castle.

When the ogre came home, the wife hid Jack in the copper. As usual, the ogre’s first words were:

“Wife, wife, I smell fresh meat!” And, in spite of all his wife could say, he insisted upon searching all round the room. Jack was in a terrible fright whilst he was hunting: but fortunately, he forgot to look in the copper, and after a time he sat down to his supper.

When supper was over, the ogre told his wife to fetch his harp. Jack peeped out of the copper and saw the harp brought in and set down before the ogre. It was marvelously made; and when the ogre said “Play!” it played the finest music without being touched. Jack was enchanted, for he had never before heard such wonderful music, and he felt that he must have the harp for his own.

The ogre was soon lulled to sleep by the sweet sound of the harp; and when he was snoring heavily, Jack crept out of the copper, and taking up the harp was about to make off with it. But the harp was a fairy harp, and it called out loudly: “Master, master, master;” and, although the ogre was snoring so noisily that it was like the sound of a hundred dragons roaring at once, yet to Jack’s dismay and horror he heard the voice of his harp, and, starting to his feet with a bellow of anger, rushed after the daring thief.

Jack ran faster than he had ever run in his life before—still carrying the precious harp—while the ogre ran after him, shouting and roaring and making such a noise that it sounded like a thousand thunder storms all going at once. If he had not drunk so much wine for supper, the ogre must very soon have caught Jack; but as it was, the wine had got into his head, and so he could not run nearly so fast as usual, and Jack reached the beanstalk just in front of him.

It was a very close shave. Jack slid down the beanstalk at his top speed, calling at the top of his voice for his mother to fetch him an axe. The ogre came tumbling down the beanstalk after him; but Jack seized the axe and chopped the beanstalk off close to the root. Down came the beanstalk, down came the ogre, and falling headlong into the garden he was killed on the spot.

After this, Jack quite gave up his lazy, idle ways, and he and his mother, with the magic hen and the wonderful harp, lived in happiness and prosperity the rest of their lives.

The good fairy watched over Jack and his Mother

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ISBN: 9788834188941
URL/Download Link: https://bit.ly/2V5riZv

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