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A Young Adult Action and Adventure story
Danny gets into big trouble in Chapters 2 & 3. I’m not going to give you a synopsis, you can download it for FREE and read it for yourselves. However, a couple of things inspired parts of these chapters.
Chapter 2
My RAAF (Royal Australian Air Force) buddy, Wing Commander ‘Trackless’ Millsom, restored a 1940s Buick from a bare chassis and it was the inspiration for the get-away car in this chapter. I remember the floor in Trackless’ two spare bedrooms covered with chrome-plate parts for ages. His missus, Cherril, was very patient.
Chapter 3
Burning sugar-cane prior to harvest no longer occurs in Australia, but I’ve stood next to a cane-fire south of Townsville and it’s an awesome experience. The noise, heat and flames are truly daunting. I flew passenger jets up and down Eastern Australia and the cane-fires were a spectacular sight at night. The setting for this chapter came from those images.
Richard Marman, Author
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For Vol. 01 of the FREE SERIALISATION – go to https://www.facebook.com/McAlistersAdventures/
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KEYWORDS/TAGS: McAlister’s Way, action, adventure, Zach, Danny, military, helicopters, choppers, soldiers, airmen, boarding school, priests, child abuse, attack, New South Wales, Australia, Sydney, Merimbula, plane, flight, fly, Young Adult, YA, explore, discover, , altar, Arty, Brisbane, Buick, cane-cutting, car, chapel, Colin, Danny, Desmond, disappear, embankment, freight, Gertrude, Giovanni, Gulf of Carpentaria, Lenny, Mackay, Monsignor, night, Noemi, Northern Rattler, plantation, police, railway, Ricci, river, Rockhampton, School, Signor, Sister, snakes, St. Ursicinus, Statue, sugar cane, town, train, water
Once, long ago, the Moon Giant wooed the beautiful giantess who dwells in the Great River and won her love. He built for her a wonderful palace where the Great River runs into the sea. It was made of mother-of-pearl with rich carvings, and gold and silver and precious stones were used to adorn it. Never before in all the world had a giant or giantess possessed such a magnificent home.
When the baby daughter of the Moon Giant and the Giantess of the Great River was born it was decreed among the giants that she should be the Princess of all the Springs and should rule over all the rivers and lakes. The light of her eyes was like the moonbeams, and her smile was like moonlight on still waters. Her strength was as the strength of the Great River, and the fleetness of her foot was as the swiftness of the Great River.
As the beautiful Spring Princess grew older many suitors came to sing her praises beneath the palace windows, but she favoured none of them. She was so happy living in her own lovely palace with her own dear mother that she did not care at all for any suitor. No other daughter ever loved her mother as the Spring Princess loved the Giantess of the Great River.
At last the Sun Giant came to woo the Spring Princess. The strength of the Sun Giant was as the strength of ten of the other suitors of the fair princess. He was so powerful that he won her heart.
When he asked her to marry him, however, and go with him to his own palace, the Spring Princess shook her lovely head. “O Sun Giant, you are so wonderful and so powerful that I love you as I never before have loved a suitor who sang beneath my palace window,” said she, “but I love my mother, too. I cannot go away with you and leave my own dear mother. It would break my heart.”
The Sun Giant told the Spring Princess again and again of his great love for her, of his magnificent palace which would be her new home, of the happy life which awaited her as queen of the palace. At length she listened to his pleadings and decided that she could leave home and live with him for nine months of the year. For three months of every year, however, she would have to return to the wonderful palace of mother-of-pearl where the Great River runs into the sea and spend the time with her mother, the Giantess of the Great River.
The Sun Giant at last sorrowfully consented to this arrangement and the wedding feast was held. It lasted for seven days and seven nights. Then the Spring Princess went away with the Sun Giant to his own home.
Every year the Spring Princess went to visit her mother for three months according to the agreement. For three months of every year she lived in the palace of mother-of-pearl where the Great River runs into the sea. For three months of every year the rivers sang once more as they rushed along their way. For three months the lakes sparkled in the bright sunlight as their hearts once more were brimful of joy.
When at last the little son of the Spring Princess was born she wanted to take him with her when she went to visit her mother. The Sun Giant, however, did not approve of such a plan. He firmly refused to allow the child to leave home. After much pleading, all in vain, the Spring Princess set out upon her journey alone, with sorrow in her heart. She left her baby son with the best nurses she could procure.
Now it happened that the Giantess of the Great River had not expected that her daughter would be able to visit her that year. She had thought that all the rivers and lakes, the palace of mother-of-pearl, and her own mother heart would have to get along as best they could without a visit from the Spring Princess. The Giantess of the Great River had gone away to water the earth. One of the land giants had taken her prisoner and would not let her escape.
When the Spring Princess arrived at the beautiful palace of mother-of-pearl and gold and silver and precious stones, where the Great River runs into the sea, there was no one at home. She ran from room to room in the palace calling out, “O dear mother, Giantess of the Great River, dear, dear mother! Where are you? Where have you hidden yourself?”
There was no answer. Her own voice echoed back to her through the beautiful halls of mother-of-pearl with their rich carvings. The palace was entirely deserted.
She ran outside the palace and called to the fishes of the river, “O fishes of the river, have you seen my own dear mother?”
She called to the sands of the sea, “O sands of the sea, have you seen my darling mother?”
She called to the shells of the shore, “O shells of the shore, have you seen my precious mother?”
There was no answer. No one knew what had become of the Giantess of the Great River.
The Spring Princess was so worried that she thought her heart would break in its anguish. In her distress she ran over all the earth.
Then she went to the house of the Great Wind. The Giant of the Great Wind was away, but his old father was at home. He was very sorry for the Spring Princess when he heard her sad story. “I am sure my son can help you find your mother,” he said as he comforted her. “He will soon get home from his day’s work.”
When the Giant of the Great Wind reached home he was in a terrible temper. He stormed and raged and gave harsh blows to everything he met. His father had hid the Spring Princess in a closet out of the way, and it was fortunate indeed for her that he had done so.
After the Great Wind Giant had taken his bath and eaten his dinner he was better natured. Then his father said to him, “O my son, if a wandering princess had come this way on purpose to ask you a question, what would you do to her?”
“Why, I’d answer her question as best I could, of course,” responded the Giant of the Great Wind.
His father straightway opened the closet door and the Spring Princess stepped out. In spite of her long wanderings and great anguish of mind she was still very lovely as she knelt before the Giant of the Great Wind in her soft silvery green garments embroidered with pearls and diamonds. The big heart of the Giant of the Great Wind was touched at her beauty and at her grief.
“O Giant of the Great Wind,” said the Spring Princess, as he gently raised her from her knees before him, “I am the daughter of the Giantess of the Great River. I have lost my mother. I have searched for her through all the earth and now I have come to you for help. Can you tell me anything about where she is and how I can find her?”
The Giant of the Great Wind put on his thinking cap. He thought hard. “Your mother is in the power of a land giant who has imprisoned her,” he said. “I happen to know all about the affair. I passed that way only yesterday. I’ll gladly go with you and help you get her home. We’ll start at once.”
The Giant of the Great Wind took the Spring Princess back to earth on his swift horses. Then he stormed the castle of the land giant who had imprisoned the Giantess of the Great River. The Spring Princess dug quietly beneath the castle walls to the dungeon where her mother was confined. You may be sure that her mother was overjoyed to see her.
When the Spring Princess had led her mother safely outside the castle walls she thanked the Giant of the Great Wind for all he had done to help her. Then the Giantess of the Great River and the Spring Princess hastened back to the wonderful palace of mother-of-pearl set with gold and silver and precious stones, where the Great River runs into the Sea. As soon as she had safely reached there once more the Spring Princess suddenly remembered that she had stayed away from her home in the palace of the Sun Giant longer than the three months she was supposed to stay according to the agreement. She at once said good-bye to her mother and hastened to the home of the Sun Giant, her husband, and to her baby son.
Now the Sun Giant had been very much worried at first when the three months had passed and the Spring Princess had not come back to him and her little son. Then he became angry. He became so angry that he married another princess. The new wife discharged the nurses who were taking care of the tiny son of the Spring Princess and put him in the kitchen just as if he had been a little black slave baby.
When the Spring Princess arrived at the palace of the Sun Giant the very first person she saw was her own little son, so dirty and neglected that she hardly recognized him. Then she found out all that had happened in her absence.
The Spring Princess quickly seized her child and clasped him tight in her arms. Then she fled to the depths of the sea, and wept, and wept, and wept. The waters of the sea rose so high that they reached even to the palace of the Sun Giant. They covered the palace, and the Sun Giant, his new wife, and all the court entirely disappeared from view. For forty days the face of the Sun Giant was not seen upon the earth.
The little son of the Spring Princess grew up to be the Giant of the Rain. In the rainy season and the season of thunder showers he rules upon the earth. He sends upon the earth such tears as the Spring Princess shed in the depths of the seas.
From: Tales of Giants from Brazil
By: Elsie Spicer-Eells
Contains: 12 Folk and Fairy Tales from Brazil
ISBN: 9781910882764
Format: A5, Paperback
Pages: 112
Illustrations: 8 pen and ink drawings
URL: http://goo.gl/8o9Vdc
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More folk and fairy tales from the land of the 2016 Olympics: FAIRY TALES FROM BRAZIL – 18 Brazilian folk and fairy tales
By: Elsie Spicer-Eells
Contains: 18 Folk and Fairy Tales from Brazil
ISBN: 9781909302587
Pages: 148
Illustrations: 18 pen and ink illustrated story headings
URL: http://goo.gl/pUOQQn
This week we have two poems from the Hyaku-nin-isshiu, or ‘Single Verses by a Hundred People’, were collected together in A.D. 1235. They are placed in approximate chronological order, and range from about the year 670. Perhaps what strikes one most in connection with the Hyaku-nin-isshiu is the date when the verses were written; most of them were produced before the time of the Norman Conquest (of Britain – AD 1066), and one cannot but be struck with the advanced state of art and culture in Japan at a time when Europe was still in a very elementary stage of civilization.
The Collection consists almost entirely of love-poems and what the editor calls picture-poems, intended to bring before the mind’s eye some well-known scene in nature; and it is marvellous what effect little thumbnail sketches are compressed within thirty-one syllables. Some show the cherry blossoms which are doomed to fall, the dewdrops scattered by the wind, the mournful cry of the wild deer on the mountains, the dying crimson of the fallen maple leaves, the weird sadness of the cuckoo singing in the moonlight, and the loneliness of the recluse in the mountain wilds; while those verses which appear to be of a more cheerful type are rather of the nature of the ‘Japanese smile’, described by Lafcadio Hearn as a mask to hide the real feelings.
From: A Hundred Verses from Old Japan
ISBN: 978-1-907256-19-6
URL: www.AbelaPublishing.com/100Verses.html
6
THE IMPERIAL ADVISER YAKAMOCHI
(CHŪ-NAGON YAKAMOCHI)
Kasasagi no
Wataseru hashi ni
Oku shimo no
Shiroki wo mireba
Yo zo fuke ni keru.
WHEN on the Magpies’ Bridge I see
The Hoar-frost King has cast
His sparkling mantle, well I know
The night is nearly past,
Daylight approaches fast.
Explanation:
The author of this verse was Governor of the Province of Kōshū, and Viceroy of the more or less uncivilized northern and eastern parts of Japan; he died A.D. 785. There was a bridge or passageway in the Imperial Palace at Kyōto called the Magpies’ Bridge, but there is also an allusion here to the old legend about the Weaver and Herdsman. It is said, that the Weaver (the star Vega) was a maiden, who dwelt on one side of the River of the Milky Way, and who was employed in making clothes for the Gods. But one day the Sun took pity upon her, and gave her in marriage to the Herdboy (the star Aquila), who lived on the other side of the river. But as the result of this was that the supply of clothes fell short, she was only permitted to visit her husband once a year, viz. on the seventh night of the seventh month; and on this night, it is said, the magpies in a dense flock form a bridge for her across the river. The hoar frost forms just before day breaks. The illustration shows the Herdboy crossing on the Bridge of Magpies to his bride.
From: A Hundred Verses from Old Japan
ISBN: 978-1-907256-19-6
URL: www.AbelaPublishing.com/100Verses.html
9
KOMACHI ONO
(ONO NO KOMACHI)
Hana no iro wa
Utsuri ni keri na
Itazura ni
Waga mi yo ni furu
Nagame seshi ma ni.
THE blossom’s tint is washed away
By heavy showers of rain;
My charms, which once I prized so much,
Are also on the wane,
Both bloomed, alas! in vain.
Explanation
The writer was a famous poetess, who lived A.D. 834-880. She is remembered for her talent, her beauty, her pride, her love of luxury, her frailty, and her miserable old age. The magic of her art is said to have overcome a severe drought, from which the country suffered in the year 866, when prayers to the Gods had proved useless.
The first and last couplets may mean either ‘the blossom’s tint fades away under the continued downpour of rain in the world’, or ‘the beauty of this flower (i.e. herself) is fading away as I grow older and older in this life’; while the third line dividing the two couplets means, that the flower’s tint and her own beauty are alike only vanity. This verse, with its double meaning running throughout, is an excellent example of the characteristic Japanese play upon words.
From: A Hundred Verses from Old Japan
ISBN: 978-1-907256-19-6
No. 18.–The Golden Children
Once Upon a Time, There were three princesses, and they vaunted themselves before the three princes. One vaunted that she will make him a golden boy and girl. And one vaunted that she will feed his army with one crust of bread. And one vaunted that she will clothe the whole army with a single spindleful of thread. The time came that the princes took the three maidens. So she who had vaunted that she will bear the golden boy and girl, the time came that she grew big with child, and she fell on the hearth in the birth-pangs. The midwife came and his mother, and she brought forth a golden boy and girl. And her man was not there. And the midwife and his mother took a dog and a bitch, and put them beneath her. And they took the boy and the girl, and the midwife threw them into the river. And they went floating on the river, and a monk found them.
So their father went a-hunting, and their father found the lad. ‘Let me kiss you.’ For, he thought, My wife said she would bear a golden lad and girl like this. And he came home and fell sick; and the midwife noticed it and his mother.
The midwife asked him, ‘What ails you?’
He said, ‘I am sick, because I have seen a lad like my wife said she would bear me.’
Then she sent for the children, did his mother; and the monk brought them; and she asked him, ‘Where did you get those children?’
He said, ‘I found them both floating on the river.’
And the king saw it must be his children; his heart yearned towards them. So the king called the monk, and asked him, ‘Where did you get those children?’
He said, ‘I found them floating on the river.’
He brought the monk to his mother and the midwife, and said, ‘Behold, mother, my children.’
She repented and said, ‘So it is.’ She said, ‘Yes, darling, the midwife put them in a box, and threw them into the water.’
Then he kindled the furnace, and cast both his mother and also the midwife into the furnace. And he burnt them; and so they made atonement. He gathered all the kings together, for joy that he had found his children. Away I came, the tale have told.
URL: http://www.abelapublishing.com/gypsy-folk-tales–book-one–illustrated-edition_p23332621.htm
ISBN: 978-1-907256-07-3